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Your letter should include exactly what you wish to cover in your proposed article and a brief outline of the information or points you intend to include. Do not send photo submissions on disk or CD-ROM unless a hard copy index or proof sheet is included.Ģ. We do not accept original transparencies or negatives. Tear sheets from books or calendars also are acceptable. For initial queries, we request photo submissions to be in the form of duplicate transparencies, photographic prints or high-quality inkjet printouts. Due to the number of submissions we receive we can’t respond to them all, but if your submission is a fit for an upcoming issue, you’ll certainly hear from us.ġ. You’re welcome to send low-res images and article pitches to for consideration.
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Ultimately, whether or not we can use a particular piece will depend greatly on the photographs and how they fit in with material already in our files. Since OUTDOOR PHOTOGRAPHER is a photography magazine, we must see photos before any decision can be made on an article, so phone queries are not appropriate. Payment is initiated on date of publication. OUTDOOR PHOTOGRAPHERbuys one-time rights for publication in the magazine and on the magazine’s Website as part of our permanent archives. Return or notification of possible use can be expected in approximately two months.
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All work is submitted as speculation (see Terms and Conditions) unless specifically assigned in writing by an assignment letter. All submissions must be accompanied by an SASE. If you need that information, use a verifiable delivery service. We receive too many submissions to check if yours was received. Photographs (see Photographs for Submission guidelines below) must be protected for shipment and preferably sent by registered mail or other traceable means. Submitted manuscripts should be typewritten and double-spaced (a computer disk is fine, but we also need a hard copy for evaluation). We look for a variety of contributors from different backgrounds and geographic areas. The majority of the magazine’s features and several departments are freelance-written and -photographed. Photographic instruction as it relates to outdoor interests and activities, including wildlife viewing, landscape, close-ups, nature, adventure and scenic travel, and outdoor sports such as backpacking, camping, canoeing/kayaking/rafting, skiing, climbing, surfing, bicycle touring, etc. New technologies, from traditional to digital, that help readers make better images.ĥ. Submissions that OUTDOOR PHOTOGRAPHER publishes in the “Favorite Places” section of the magazine also will be archived on the Website as a service to our readers.Ĥ. Travel, destinations, photo tours, field courses, workshops. Methods and techniques for using, transporting and maintaining photo equipment in the field.ģ. Non-technical equipment evaluations directed at outdoor use.
Outdoor photographer making a photo book professional#
Interviews and portfolio displays of accomplished professional and amateur photographers.Ģ. OUTDOOR PHOTOGRAPHER is written and presented to accomplish two ends: to stimulate outdoor, sporting and nature enthusiasts to enhance their recreational and travel enjoyment through photography, and to satisfy the needs of amateur and professional photographers with a special interest in the outdoors.ġ. Editorial is intended to demystify the use of modern equipment by emphasizing practical use of the camera in the field, highlighting the technique rather than the technical. We take a fresh look at the modern photographic world by encouraging photography as part of a lifestyle associated with outdoor recreation. OUTDOOR PHOTOGRAPHER is a national magazine published 11 times per year for enthusiasts with a special passion for nature, travel and outdoor sports.